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Re: Brazen Black (heavy weight)
I woud thin the crossbar of A, sharpen up the nadir of M, thin the centre horizontal of R, and widen Z. Perhaps you could make the structure of the Kk's more complex. I also think the bottom of /g sh…1 -
Re: Selling opentype features as separate fonts
What Craig said. I'm always surprised by the number of art directors who don’t even know or care about the “fi” ligature. A lot of the problem lies with Adobe, whose applications have buried OpenType …4 -
Re: Riona Sans — Type Critique
Dropping the /t’s crossbar is another option, e.g. Laudatio, Palatino Sans. Perhaps tittles that overshoot ascender height are not such a bad thing. After all, that is an area where accents (upper ca…1 -
Re: The lowercase "e" and the "c"!
No. The important thing is consistency* of terminals with other letters, and how /c and /e fit with following letters. *I don’t mean that they should all be the same, only that the nature of consiste…3 -
Re: On the Origin of (Latin) Type Species
This reminds me of the Hockney-Falco thesis. And Tim’s Vermeer. Describing your theory as “… groundbreaking … of Darwinian importance…” strikes me as a little too cocky, I’m afraid—perhaps you could …1
